Hello,

Do you sometimes believe everyone in the world is writing a book? I occasionally believe it, yet what I seem to believe more is that just about everyone has written a book and some of them have written five or more and not just written books but had them published and read by millions. There are of course authors such as James Patterson—though not many—who are so prolific it’s amazing. He has more than one writing project-soon-to-be-published novel going at one time in addition to a new novel of his that's in book stores at the moment.

When I’m reading an article about a writer they all seem to have written ten novels. Or when I listen to public radio everyone interviewed seems to have several published books to their credit and I think, sheesh, why does it take me so long to write one novel let alone two? I don’t believe in writer’s block or any other roadblocks to writing for me those are excuses for me not writing; I can always find ten minutes here or there between laundry loads or before my children get up in the morning to write a line or two, a paragraph or even a chapter. All those lines and paragraphs do eventually add up to a novel and hopefully a good one.

But why does it take me so long to create this novel though I’m steadily writing it? Other writers can write two or even three books at a time or at least a book a year so why am I not a faster writer? I thought about this and researched it a little and came up with a few writers who I believe have the same complexity I’ll call it and it hasn’t hurt them one bit: Donna Tartt author of the wonderful ‘The Secret History” began that novel in the 1980’s, it was published in 1992 and her next novel ‘The Little Friend’ wasn’t published until 2002, ten years later; just two great works to her credit. Then there’s Thomas Harris the creator of Dr. Lecter. Mr. Harris has written five novels, and its more than six years between each novel. I've stopped beating myself up about how long it takes me to create a novel.

There really shouldn’t be any time constraints on creating a novel because quality is the key here. I try to make every word count in the story and get rid of the useless ones so that every word matters to the novel's progress. I try and flesh out each character, erase all the strings so the reader gets story and not just words, a story and characters they can believe in one-hundred percent; it takes so much time to get this right or as close as I can get it.

My first Owen Story novel has taken me six years to get it where I don’t sweat every page and can even smile a little when I read it. The second novel in the trilogy will take me at least another year and a half if not longer to get it manageable. Do I wish I could write faster? Sometimes I do but if it means tossing in any old character, overlooking the bumps and creating a so-so work; then I’ll always take it slow. Writing a novel is hard enough so why not go the extra one-hundred miles and make it worth while, make it stand out from the rest, a work you’ll always be proud of even if it’s the only novel in you.

If you have any comments or suggestions, please e-mail me at: matwrite1@hotmail. com. I’ll love to hear from you.

Until next time, God willing,

Lori

Hello,

I have completed one stage of the rewrites for my crime/mystery You Don’t Know Me and now the work really begins. The stages. I’ve completed the preliminary rewrite where I reread what I’ve saved on the computer. I take out as many of those “ly and ing” words as I can, toss out the junk readers don’t read and tighten up the story as much as I can. Next I’ll print off the pages and read them into my recorder. I don’t trust very much what my eyes see on the computer, I believe they miss more than they should. I feel the most comfortable reading off the printed page anyway; I think I catch more mistakes that way. And by using the recorder I know I hear them, they blare at me, I can’t help tripping over them. When I listen it enables me to make the changes and smooth out the story so that it flows; it feels wonderful not to stumble over story as I go along-- to just enjoy it and I imagine the reader will appreciate this too.

After I record its back to edit the changes into the computer copy and more reading. It's a long process isn’t it? Yet it works for me. Of course I wonder if it’s just a form of procrastination because I fear getting my story out so I go through all these forms of rewriting. I’ve thought about this quite a bit and decided that yes, it’s 5 percent all that but the 95 percent left is my determination to give those who choose to read my work a great story they can't put down, a terrific adventure, genuine characters they love and want to visit with again and all this takes so much time, effort, many mistakes along the way, fixes, so many rewrites—it’s the only way.

If you have any comments or suggestions, please e-mail me at: matwrite1@hotmail. com. I’ll love to hear from you.

Until next time, God willing,

Lori

Hello,

I’m working on two pieces, a children’s book—don’t let anyone tell you it’s easy writing children’s books; its not—and a flash fiction story. Both projects have been critiqued by professional editors and did they do their jobs well; it would've brought tears to your eyes. The children’s book editor wrote a four page critique that was so far from glowing it took me two days to read because every negative made me wince. He took every element of the story apart and examined it in every direction. The flash fiction editor did the same and this piece is less than three-hundred words. Was I upset at the deconstruction of my work? Of course, because I thought I was a better writer than that (see how much I know) but my greatest emotions were humility, gratefulness, acceptance and eagerness. I’m going to do exactly what both editors suggested; there is no question I will follow their guidelines, why? Because they know better than I do--you already know how much I know.

I’m too close to my work, all writers are and if I get someone who knows how to edit and who is willing to look at my work dispassionately and let me know what works and what doesn’t I’m happy about it. How many chances do we writers get to connect with those who genuinely want to help make our work the best it can be, who take the time and effort to help us succeed? It’s about as many chances we get to see a rainbow.

So, I’m going to follow all the suggestions I’ve been given for both stories because they will only make the stories even better, maybe even wonderful and in the end isn’t that our only true goal.

If you have any comments or suggestions, please e-mail me at: matwrite1@hotmail. com. I’ll love to hear from you.

Until next time, God willing,

Lori

Hello,

We writers write all the time though it’s not always putting pen to paper, at these times we ruminate over how to write, what to write or over some thing interesting we’ve heard, seen or learned; we read and we even watch television, something like the Discovery Channel or not, regardless of what we do, we are at all times writing; we can’t help it. We writers of course have good days and bad days like every one else where it’s almost impossible to get out of bed, but we do and what propels us writers is the possibility of writing well; starting a new story, finally completing the project or novel we’re working on; coming across a new idea we cannot get out of our heads that compels us to write right now or even reading the work of one of our favorite writers that motivates us to do all we can to join that auspicious group.

It’s time for me to get back to my writing---prompted by just writing today’s blog—and the book-on disc I’m listening to: The Interpretation of Murder by Jed Rubenfeld; so that someday soon someone will read my work and be inspired to get on with their own so others will someday read theirs, keeping the continous circle of loving to write and read forever alive.

If you have any comments or suggestions, please e-mail me at: matwrite1@hotmail. com. I’ll love to hear from you.

Until next time, God willing,

Lori